Saturday, 29 September 2012

The Best Of 1985 - part 3

JUMP TO: 40-31 II 30-21 II 20-11 II 10-1

As Doc Brown once kind of said: "We have to go back... back to 1985." That's right, we're midway through my countdown of my favourite songs from 1985 - and Back To The Future will play a part in this batch of songs. In fact, half of the songs in this post featured in movies at the time.

Madonna was everywhere in 1985 - especially on film soundtracks

Movie soundtracks had been providing the charts with massive hits for many years, and 1985 was no different, with songs from films like The Jewel Of The Nile, White Nights, The Breakfast Club, The Goonies, Desperately Seeking Susan and A View To A Kill all selling by the truckload.

The age of the soundtrack hit would continue into the 1990s and early 2000s, but hit songs from movies are few and far between these days. Funnily enough, it's the ubiquitous Pitbull who's had the biggest hit from a film in recent months - and his song, "Back In Time" (from Men In Black 3), shares a title with a song from... Back To The Future. Spooky.

Before we get to our first movie songs, at number 20 is "Don't Go" by Pseudo Echo, which became another hit for the Aussie synthpop exponents. In fact, its number 4 peak matched the position achieved by their debut single, "Listening". "Don't Go" was the first single from the group's second album, Love An Adventure - an era which saw the band undergoing a major transformation, with the Leigh brothers (Vince and James) replacing former members Tony Lugton and Anthony Argiro.

At number 19 is "How Will I Know" by Whitney Houston, the second in her record-breaking string of seven consecutive number 1 hits in the US, following her first chart-topper, "Saving All My Love For You". Her debut single, at least in the US, was "You Give Good Love", which had "only" managed a position of number 3. In other parts of the world, different tracks ("All At Once" and "Thinking About You") from her self-titled album had been chosen to be the lead single. Although, just to confuse matters, the first single on which Whitney received a credit was "Hold Me", a duet with soul star Teddy Pendergrass in 1984 - and that track prevented her from being eligible for the Best New Artist Grammy for 1985.

Next up at number 18 is "Dare Me" by The Pointer Sisters, who had a soundtrack hit of their own earlier in 1985 with "Neutron Dance" from Beverly Hills Cop. "Dare Me" was the first single from the sisters' Contact album and would be their last significant hit. Nearly two decades later, the hook from the song was used in Junior Jack's "Stupidisco" single in 2004.

Here it is - the song from Back To The Future: at number 17 is "The Power Of Love" by Huey Lewis & The News. The track would reach number 1 in Australia for two weeks in 1985 - as would an identically named song by Jennifer Rush later in the year. In fact, the two singles ended up as the 23rd and 24th biggest selling releases for the year (with Jennifer taking the higher position). In Australia, the song would also appear on the band's next album, Fore!, which would be phenomenonally successful around the world and feature prominently in the Bret Easton Ellis novel, American Psycho, a few years later.

Another song from a film is at number 16 - it's "Rhythm Of The Night" by DeBarge, which featured on the soundtrack to The Last Dragon, a long-forgotten martial arts film starring Vanity 6 lead singer Vanity. The movie was produced by Motown and DeBarge was a group of siblings signed to the legendary record label. Until "Rhythm Of The Night", DeBarge had only had midling success, but this track gave them a top 10 hit around the world, including in Australia, where it reached number 5. It's also one of the earliest hits written by legendary songwriter Diane Warren, who's been responsible for one or two big soundtrack hits you might have heard of.

Speaking of things that are long-forgotten - at number 15 is  "Gambler" by Madonna, which was taken from the film, Vision Quest, and reached number 10 in Australia, but is rarely remembered these days. 1985 was an incredibly busy year for Madonna. Besides the slew of singles from Like A Virgin, she also released singles from two movies, Vision Quest and Desperately Seeking Susan, and in some parts of the world, re-released tracks from Madonna also charted. In Australia, Madonna had six top 10 singles in 1985, including "Like A Virgin" which started the year at number 1. "Gambler" was my third favourite track of hers that year and was one she wrote without any of her regular co-writers.

Making their debut in 1985 was this British duo - at number 14 is "Don't Look Down" by Go West. Comprised of Peter Cox and Richard Drummie, Go West had a handful of big UK and Australian hits (and much more modest US hits) from 1985 to 1987 before things petered out. Then, out of nowhere, they returned in 1990 to enjoy renewed success in the UK and Australia (and, this time, considerable success in the States) thanks to their inclusion on, you guessed it, a movie soundtrack (Pretty Woman). "Don't Look Down" was the final single released from the group's self-titled debut album, which featured another song we'll see in Part 4.

Rivalling Madonna for the amount of hits achieved in 1985, at number 13 is "Don't Lose My Number" by Phil Collins, one of many singles from the No Jacket Required album. As well as this track and the likes of "One More Night", "Take Me Home" and "Sussudio", the Genesis singer/drummer also appeared on "Easy Lover" with Philip Bailey (surprisingly a flop in Australia) and soundtrack hit "Separate Lives" with Marilyn Martin (from White Nights) - meaning he was all but inescapable for the entire year. "Don't Lose My Number" reached number 10 in Australia and featured a video which showed that at least Phil didn't take himself too seriously.

Here she is again - at number 12 it's "Crazy For You" by Madonna, which was the first single released from Vision Quest. In some countries, Australia included, the film's title was changed to Crazy For You in an attempt to cash in on the runaway success of this single, but the movie, which starred Matthew Modine, was still a box office failure. "Crazy For You" was Madonna's third Australian number 1 for 1985, spending four weeks at the top of the chart and ending the year as the third highest selling single.

At number 11"Out Of Mind Out Of Sight" by Models, who had a massive year in 1985. They reached number 2 earlier in the year with "Barbados" before going all the way to number 1 for two weeks with this track. It wasn't to last, however, with the group never scoring a top 20 hit again, despite releasing the likes of "Let's Kiss" and "Hold On". "Out Of Mind Out Of Sight", which features backing vocals from I'm Talking's Zan and Kate Ceberano, also became an American top 40 hit, reaching number 37 there.

In Part 4, we'll find my favourite soundtrack songs for the year, as well as a couple of landmark number 1s.

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Thursday, 27 September 2012

25 Years Ago This Week: September 27, 1987

Not every week is a good week on the chart. That was especially true in, say, 1993, but we finally reach a dud week from 1987. Yep, 25 years ago this week was a pretty boring week on the ARIA chart with only two new entries - and they were both big, soppy ballads (one good, one not so good).

Remember the bar singer from Ally McBeal? She hit the chart in 1987.

Obviously, the other 48 songs on the top 50 were mostly brilliant - Kylie was still at number 1, and Icehouse, Pet Shop Boys, New Order, Madonna and Mel & Kim (to name a few acts) were all still charting well, so there was a lot to like.

ARIA Top 50 Singles Chart - week ending September 27, 1987

But for the purposes of this weekly update, it's a quiet week. Anyway, let's get to those ballads...

New entries
Number 50 "Hold Me Now" by Johnny Logan
Peak: number 4
This was the Eurovision-winning song of 1987 and was the second time the Irish singer had won the international singing contest - he also took home the prize in 1980 with "What's Another Year". Johnny was actually born in Australia, but unlike Gina G (who represented the UK in 1996), he left these shores at a very young age. Interestingly, Eurovision had been held back in May, so this chart entry some four months later might seem quite delayed - but then in those days, singles did take a long time to be released and/or gain traction in Australia. "Hold Me Now" is the good ballad of this week's two entries, and I wasn't the only one who thought so - the song hit the top 5 and spent over 30 weeks in the top 100. I can't see the music video on YouTube, but the Eurovision performance is below.

Number 44 "Can't We Try" by Dan Hill with Vonda Shepard
Peak: number 41
The week's other big ballad was a duet between the man whose biggest hit is inappropriately used at weddings (listen to the lyrics of "Sometimes When We Touch") and the woman who would go on to play piano in the bar frequented by Cage & Fish employees in Ally McBeal. "Can't We Try" is everything an '80s power ballad should be - there are stirring strings, big crashing drums and a dramatic modulation towards the end, but the melody's just a little bit dull, which could explain why it didn't get much further. By the way, Vonda's surname is spelt incorrectly on the chart (and on the single itself).

Albums Chart
With so few songs to talk about this week, I thought it might be a good opportunity to check out what was happening on the albums chart 25 years ago this week...

ARIA Top 50 Albums Chart - week ending September 27, 1987

In the upper reaches, Bon Jovi's Slippery When Wet and John Farnham's Whispering Jack refused to budge from their top 5 berths, while more recent entries from Midnight Oil and Michael Jackson were battling it out for the number 1 spot.

Diesel And Dust would end up keeping Bad from reaching the top, spending six weeks at number 1 and only dislodged by Icehouse's Man Of Colours album. Elsewhere in the top 10, James Reyne scored his first top 10 solo album, while an act I'd completely forgotten about spent a 30th week on the chart...

Robert Cray had been releasing music since the start of the decade, but his 1986 album, Strong Persuader, broke through in a big way - and in Australia, it reached number 6 in 1987. The blues artist would never be as successful again.

Movie soundtracks continued to be popular in 1987, with six of them appearing in the top 50 - two from The Big Chill. The other films to have a successful spin-off album were Who's That Girl, Beverly Hills Cop 2, La Bamba and Crossroads.

Retro artists weren't just turning up on soundtracks, with The Doors, The Beatles and Elvis Presley all registering in the top 50 that week. In fact, many of the artists on the chart were rather long in the tooth, with everyone from Kiri Te Kanawa to Fleetwood Mac, Roger Waters to John Williamson keeping oldies happy.

Thank goodness, then, for Mel & Kim, Whitney Houston, The Cure and three albums from Bon Jovi, which all provided a much-needed touch of youth to the chart.

The bad news is that's the end of our trip back in time for this week. The good news is that next week's ARIA chart recap has seven (count 'em!) new entries to look back at, four of them from young Australian bands. And before that, I'll conclude my trip through my favourite songs from 1985.

Back to: Sep 20, 1987 <<<<<<<<<<<<<  GO  >>>>>>>>>>>>> Forward to: Oct 4, 1987

Monday, 24 September 2012

The Best Of 1985 - part 2

JUMP TO: 40-31 II 30-21 II 20-11 II 10-1

Band Aid got the ball rolling in 1984, and in 1985, the music industry's charitable efforts to raise money for the famine in Africa culminated in the Live Aid concerts in London and Philadelphia. What Woodstock must have been for kids in the 1960s, Live Aid was for children of the 1980s - a heap of the music world's biggest acts all on the same bill (with Phil Collins twice for good measure).

Anything the UK can do... America chimed in with their charity record, "We Are The World", in 1985

Australia even contributed to proceedings with the Oz For Africa concert, which I remember watching on TV while I waited for Live Aid to start. On the Sydney stage was a pretty impressive line-up: Mental As Anything, Australian Crawl, Dragon, Models, Mondo Rock, Little River Band and headliners INXS, to name just a few.

But first, at number 30: "The Sun Always Shines On TV" by a-ha, the follow-up to one of 1985's biggest worldwide hits - a song we'll get to eventually. I'll talk more about the Norwegian trio then, but as far as "The Sun Always..." is concerned, it's actually their only UK chart-topper, since "Take On Me" was held off the top spot there by "The Power Of Love" by Jennifer Rush, another of 1985's big hits. The clip for "The Sun Always..." also carries on the storyline of the landmark "Take On Me" video.

At number 29 is "And We Danced" by The Hooters, an American band who were a two-hit wonder in Australia. This song was the follow-up to "All You Zombies" and is, in my opinion, the far superior of the two. In the pre-iTunes era, I actually bought a best of CD by The Hooters just for those two songs - and I'm not convinced I've ever listened to any of the other tracks on it.

A band that played during the UK half of Live Aid is at number 28 - it's "Walls Come Tumbling Down!" by The Style Council, which, like many of their songs, received a good airing in my house. As a 10-year-old, the political meaning behind Style Council tunes like this passed me by - even with lyrics as blatant as "the public enemies No. 10". These days, you'd be arrested under suspicion of terrorism for anti-governmental sentiments like that.

There are few '80s tracks as feel-good as the one at number 27: "Walking On Sunshine" by Katrina & The Waves. Fronted by Katrina Leskanich, the band would never have another hit in Australia and the band seemed doomed to be one-hit wonders forever until a strange thing happened in 1997: the American group represented the UK in the Eurovision Song Contest with "Love Shine A Light" - and won!

At number 26: "We Are The World" by USA For Africa, which topped charts around the world, including in Australia for a massive nine weeks. Featuring a who's who of the US music industry at the time (except for Madonna and Prince), it was written by Michael Jackson and Lionel Richie, and produced by Quincy Jones - a dream team if ever there was one. The best bit, though, is when Cyndi Lauper lets loose just before the three-minute mark.

A soundtrack hit at number 25, it's "St Elmo's Fire (Man In Motion)" by John Parr from the movie of the same name. Well, the St Elmo's Fire part of the name, anyway. The Man In Motion part of the title is because of the fact that the song originally had nothing to do with the film, being written about wheelchair athlete Rick Hansen. One thing I didn't know until now: John is British.

At number 24: "Love & Pride" by King, the debut single by the group named after singer Paul King, a man with an impressive head of hair. "Love & Pride" reached number 8 in Australia, and that was pretty much that for the group here, despite a few more hits in the UK. Nevertheless, by 1987, Paul had gone solo, but with less success than he had with the group. A Top Of The Pops performance is below.

A song that wasn't a big hit: at number 23 it's "They Say It's Gonna Rain" by Hazell Dean, who was having trouble following up the success of earlier singles "Searchin' (I Gotta Find A Man)" and "Whatever I Do (Wherever I Go)". From 1985 to 1987, Hazell released a string of songs that were good enough to be hits but failed to connect. This song ended up in an extended version on her 1988 album, Always, and was always one of my favourites of hers.

From a flop produced by Stock Aitken Waterman to one of their most successful songs, at number 22 is "Say I'm Your Number One" by Princess, which went top 10 in the UK and Australia. But like Hazell, Princess would struggle to score another hit despite some decent tunes. Unlike the high-energy sound of Hazell, Dead Or Alive and Divine, "Say I'm Your Number One" showcased SAW's more soulful sound, which they would all but abandon in subsequent years.

And at number 21 is "Don't You (Forget About Me)" by Simple Minds, which appeared in the aforementioned John Hughes classic, The Breakfast Club. In many countries, including Australia, the track is the band's biggest hit - but they didn't actually write it themselves. They weren't even the first act to be offered the song, with Billy Idol and Bryan Ferry having previously turned it down

There we go - halfway through my favourite 40 songs from 1985. We'll take a short break on Thursday for my regular ARIA chart recap and carry on in Part 3 with the top 20 and more soundtrack hits on the weekend.

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Saturday, 22 September 2012

The Best Of 1985 - part 1

JUMP TO: 40-31 II 30-21 II 20-11 II 10-1

I've always loved British music - and there was no better time for it than the mid '80s. As my journey through my favourite songs of years past reaches 1985, we come to the tail end of what became known as the Second British Invasion (the first one happening back in the 1960s led by The Beatles and The Rolling Stones).

Tears For Fears were part of the mid '80s British Invasion

The phrase British Invasion relates to the success of UK acts in the US chart, but Australia was also treated to an influx of music from the motherland - and as we count down my list of favourite songs from 1985, we'll see that a healthy 65% of this first batch are tracks by British artists.

Our first British performer is one half of the duo at number 40 - "Goodbye Bad Times" by Giorgio Moroder and Philip Oakey, who, if you recall, teamed up on my favourite song from 1984. This second single didn't do anywhere near as well as "Together In Electric Dreams", but was another catchy little ditty from their album collaboration. Yep, I just wrote "ditty".

At number 39: "Raspberry Beret" by Prince & The Revolution, who was well and truly a mainstream superstar by now. In the US, this song was the first single from his post-Purple Rain album, Around The World In A Day, which also contained "Pop Life" and "Paisley Park" (the lead single in Australia). Paisley Park was also the name of Prince's record label that launched that year and his recording studio. The period from 1984 to 1992 was really the peak of Prince's commercial success, with a new album coming out every year (including soundtrack releases like Batman and Graffiti Bridge) and scaling charts around the world. Thanks to Prince's disdain for YouTube, there's a link to a clip in the song title above.

With their last substantial hit, at number 38 is "King For A Day" by Thompson Twins, who carried on recording for some years but stopped seeing the type of success they'd enjoyed in the previous couple of years. In the UK, the slump had already begun, with this track failing to hit the top 20 there but it did well enough in Australia and the US.

A band that had no trouble making it to the upper reaches of charts around the globe in 1985 is at number 37: "Everybody Wants To Rule The World" by Tears For Fears, from the all-conquering Songs From The Big Chair album. Between this song, previous single "Shout" and next release "Head Over Heels", there were few more successful artists in 1985. So popular was this song that it reached the UK top 5 twice - once on its original release and again in 1986 as "Everybody Wants To Run The World", a re-recorded version to raise money for famine relief in Africa.

With my favourite song of theirs, at number 36 is "There Must Be An Angel (Playing With My Heart)" by Eurythmics. It was also their biggest hit in the UK, where it reached number 1, while in Australia, previous single "Would I Lie To You?" takes that honour. I like a lot of Eurythmics songs - but there are only a few that I'd say I love and some, like "Missionary Man" and "Beethoven (I Love To Listen To)", that I just can't stand. This, however, is one of the good ones - and is one of two big hits from 1985 to feature Stevie Wonder on harmonica (the other being "That's What Friends Are For", which Stevie also sang on).

Making her first appearance in my top 40 for 1985, at number 35 it's "Material Girl" by Madonna, the second single released from Like A Virgin and by this point another guaranteed hit for the world's biggest music icon. My most enduring memory of this song is it being played on a school excursion to Warragamba Dam and as it blasted out of the bus' stereo, I bounced along in my seat to it despite universal ridicule from the other guys in my class. It wouldn't be the first time I'd be laughed at for liking pop.

As I've mentioned elsewhere on this blog, I also have a love-hate relationship with the band at number 34: "You're So Strong" by Mental As Anything. 1985 was, of course, the year of their biggest hit, "Live It Up" - but I can't abide that track. There's something a bit too nursery rhyme about it for my taste (and this from a fan of Steps). But "You're So Strong" was the right mix of catchy and cool for me.

One of the 1980s' most underrated groups is at number 33 - it's "Perfect Way" by Scritti Politti, who were led by the Princess Di hairdo-sporting Green Gartside. I actually served Green (real name Paul Strohmeyer) when I was working at HMV on Oxford Street in London in 1999 - but, since he looked nothing at all like he did in the '80s, I didn't realise it was him until I glanced at the name on his credit card as I handed it back to him. From memory, he was buying some R&B 12" singles. "Perfect Way" was actually a big hit in the States, while the group's only top 50 single in Australia had been 1984's "Wood Beez (Pray Like Aretha Franklin)". But my fandom of Scritti Politti was only just getting started.

Another British act having fleeting success in the US is at number 32: "Something About You" by Level 42, which was from the band's sixth album, World Machine, and was their biggest hit to date in the UK as well. As we saw in my 1987 ARIA chart recaps, Level 42's only top 50 hit in Australia was "Running In The Family", but being such an Anglophile, I liked a lot of their music. And there was plenty to choose from, with the band led by vocalist/bass player Mark King releasing music in every year of the decade.

From a song with serious lyrical content to one whose words are at times absurd, at number 31 is "We Built This City" by Starship. Like many songs that are absolutely massive, "We Built This City" has not been treated kindly in the years that have since passed. A regular entry in "Worst Songs of the '80s" lists, "We Built This City" was the first single the band released with their shortened moniker of Starship and a new ultra-commercial sound. In Australia, the song would reach number 1 in early 1986 and stay there for four weeks - and I, for one, still like it.

In Part 2, some more British acts are joined by a bunch of American hits - including an all-star charity record. Plus, back-to-back singles produced by an up-and-coming hit factory. See you in a few days.

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Wednesday, 19 September 2012

30 Years Ago This Week: September 20, 1987

Originally posted as 25 Years Ago This Week in 2012. Updated in 2017.

Just when you think 1987 couldn't possibly have had any more outstanding songs, another batch of new entries, like the ones from this week, comes along to remind you how great music really was that year.

One of 1987's brightest new stars: Terence Trent D'Arby

As we've seen in recent weeks, the songs debuting on the top 50 once again come from a variety of genres and countries, with Bon Jovi really proving their popularity by also boasting a re-entry into the top 50 on top of their new entry.

ARIA Top 50 Singles Chart - week ending September 20

There was no change at the top of the ARIA chart this week in 1987 as "Locomotion" spent a sixth week at number 1, but Los Lobos were steadily closing in.

Off The Chart
Number 99 "Just To See Her" by Smokey Robinson
Peak: number 99
Last seen in the top 50 with 1981's "Being With You", Motown legend Smokey Robinson slipped in to the top 100 with this single from his One Heartbeat album.

Number 98 "Better Way" by James Ingram
Peak: number 98
Fellow US soul singer James Ingram had a more recent hit with "Somewhere Out There" and followed it with another soundtrack single - a solo one this time - from Beverly Hills Cop II.

Single Of The Week
"American Money" by GANGgajang
Peak: number 87
It's hard to believe, but despite being a bit of an Aussie rock classic, "Sounds Of Then" (you know, "out on the patio, we'd sit...") wasn't very successful when it was released in 1985, only reaching number 35. Despite that song, the excellent "House Of Cards" and a handful of others from the band's self-titled debut album all failing to achieve commerical success, the group returned with gangAGAIN in 1987. "American Money" was the second single released ahead of the album, but despite being allocated the coveted Single Of The Week spot on the ARIA chart, it followed suit, becoming another flop for the band. It would be the group's last top 100 appearance, but thanks to "Sounds Of Then" going on to develop a life of its own, they would be on the airwaves for years to come.

New Entries
Number 50 "Wishing Well" by Terence Trent D'Arby
Peak: number 9
Making his top 50 debut this week was British soul star Terence Trent D'Arby, whose Introducing The Hardline According To... album was one of the year's best. This song, however, wasn't actually the dreadlocked singer's first single - that was "If You Let Me Stay", which wouldn't actually crack the top 50 until May 1988 following the top 3 success of "Sign Your Name", despite sneaking into the top 100 in June '87. Confused yet? Anyway, back to the song at hand, "Wishing Well" would go on to reach the top 10 and begin a short period of time when the singer lived up to his own hype.

Number 49 "Live! On Tour" (EP) by Bon Jovi
Peak: number 21
Last week, I mentioned how Bon Jovi had a slow start in Australia - but things were really going into overdrive 25 years ago this week, with the arrival of this Australian exclusive four-track EP. Featuring the songs "Breakout", "Runaway", "Tokyo Road" and recent hit "Wanted Dead Or Alive", it just missed the top 20, and these days, copies fetch a decent amount on eBay. In fact, Aussie fans were really making up for lost time, sending the band's previous two albums, Bon Jovi and 7800° Fahrenheit, into the top 50, while Slippery When Wet was still at number 4 on the albums chart. Below is a live performance of my favourite of the four tracks, "Runaway", which was Bon Jovi's debut single way back in 1983.

Number 45 "Say It" by Kids In The Kitchen
Peak: number 31
Between 1983 and 1985, Melbourne band Kids In The Kitchen achieved four top 20 singles and a top 10 album with Shine, so expectations were high for album number two. But first single "Out Of Control" stalled at number 33 back in June 1986 and "Say It" would only climb two places higher, despite both tracks being among their best releases. They'd manage one more single, which we'll see in the next couple of months, before calling it a day in 1988.

Number 42 "Shattered Dreams" by Johnny Hates Jazz
Peak: number 22
Like TTD, here's another UK act scoring with their second single - but in this case, the debut single from Johnny Hates Jazz, "Me And My Foolish Heart", would never end up as a hit. And for all intents and purposes, "Shattered Dreams" was their only hit in this country, with a couple of their other singles scraping into the top 100. Back in Britain, the trio was much bigger, scoring a chart-topping album and a string of hits, of which "Heart Of Gold" and "Don't Say It's Love" were the best. The video to "Shattered Dreams" that I remember is below, a link to a US clip (the song got to number 2 there) is in the song title.

Number 34 "Paper In Fire" by John Cougar Mellencamp
Peak: number 13
And onto a song from a man who, in 1987, was midway through transitioning from his stage name (John Cougar) to his real name (John Mellencamp). JCM, as he was then billed, released The Lonesome Jubilee 25 years ago and "Paper In Fire" was the first single lifted from it. Although Americana isn't usually the type of music I normally go for, I quite like a number of John's songs, including this one and his earlier top 5 hits, "I Need A Lover" and "Hurts So Good" - and much prefer his music to that of America's other big '80s heartland rocker, Bruce Springsteen. Maybe it was the hair.

Next week: one of the best Eurovision-winning songs of all time, plus a look at what was happening over on the albums side of the chart.

Back to: Sep 13, 1987 <<<<<<<<<<<<<  GO  >>>>>>>>>>>>> Forward to: Sep 27, 1987